Fanfarlo is a London based band formed by the Swedish musician Simon Balthazar (vocals, guitar, clarinet). Their name refers to Charles Baudelaire’s novella, “La Fanfarlo.”
In the read more you will find videos of Fanfarlo sitting in Cathy (from the bands) living room doing some covers.


Fanfarlo - "A Minor Place" by Bonnie Prince Billy


Fanfarlo "We Only Come Out At Night" by Smashing Pumpkins

continue reading>>

The Smashing Pumpkins have recorded and released a new track specifically for the new Guitar Hero game, and here's the video for it (don't worry, it doesn't involve Billy & Co sitting around and playing Xbox).

Is this the miraculous solution to the current music industry crisis? Releasing things exclusively through video games? If so, I will be very disappointed (though strangely not too surprised).

Tis called G.L.O.W.:

continue reading>>

You might see this as an indication of my increasing anal-retentiveness but sometimes it gets to me when I see a band being referred to with the 'The' word put in front of when in fact their actual name contains no such word. Pluralisation of a word does not necessarily mean that a the pre-fix should be added. For instance: Rabbits. In sentence: Rabbits are all around us. Can also be used as: The Rabbits are all around us. Depending on the context entirely. So whether a band has a 'The' at their start of the name depends entirely on what context the band themselves want to present themselves in.

To wit I bring you a list of bands that aren't a 'The' band but that most people think are and a few bands that actually are 'The' bands but that you didn't know.
Click down for more



'The' Ramones

Forerunners of US punk movement. Made same variation of song 100 million billion times. Members largely dead. Surviving members now selling condoms.

'The' or 'Not The':
'Not the'. Album covers figure largely in the evidence for this piece. If a band is not choosing to call themselves 'The' on the album then you can be damned sure that they don't want a 'The' in their name. Ramones had 14 albums. One featured 'The' on the cover. Not in the band name. In the title End of the Century.



'The' Red Hot Chili Peppers

Former funkmeisters who wore socks on their cocks. Currently stadium-filling, virtual soft-rock writing dullest band on the planet. I say dull because they were fucking awesome circa 1991 and now they're like watching paint dry. On your balls. Which is uncomfortable as well as boring.

'The' or 'Not The':
'Not the'. They ARE Red Hot Chili Peppers. They're not THE Red Hot Chili Peppersm for one can only assume that there are many red-hot chili peppers.



'The' Smashing Pumpkins

Grungers turned psychedelic rockers turned double-album-writing-art-rock wannabee's turned gothic-industrial types turned broken up turned reformed who-knows-what types.

'The' or 'Not the':
'The'. They are THE Smashing Pumpkins. Smashing in this case is used the way that the Brits use it, as in 'Amazing' or 'Wonderful'. No Pumpkins are being harmed in the making of this band.



'The' Pixies

Punky grungey whatevery Nirvana-inspiring tunesters, once defunct now-reformed (supposedly). Frontman plays spontaneous performances in Dublin city parks before being moved on by Gardaí like common busker.

'The' or 'Not THe':
'Not The'. It actually sounds cooler if you say it as 'Pixies' rather than 'The Pixies'.



'The' Sonic Youth

New York avant-garde noiseniks turned New York avant-garde noiseniks turned...well...New York avant-garde noiseniks.

'The' or 'Not The':
'Not The'. Never been much debate over this except with the release of their arguably greatest (in my opinion) album Sister which included the 'The' on the front cover. All albums before and since have not.



'The' Pink Floyd

60's psychedlic masters turned 70's and 80's Prog-rock masters turned band that people want to see reformed the most.

'The' or 'Not the':
Both. The band started life as 'The Pink Floyd Sound' before dropping the 'Sound' but retaining the definite article. The 'The' didn't just go with the Syd Barrett era either as two albums in the new 'Gilmour' era (More and Ummagumma) also included the word on their original releases. By the time of Atom Heart Mother in 1970, however, the word was gone.



'The' Beastie Boys

1980's comedy rappers turned 90's and 00's serious musicians/rappers. Currently trying to excise their rap sound by playing Jazz oddysseys on stage which, as anyone who has seen This is Spinal Tap can attest to, can result in playing second fiddle to a puppet show.

'The' or 'Not The':
'Not The'. They are Beastie Boys and are never THE Beastie Boys. Presumably to escape from the ire of all the other beastie boys that are out there.



'The' Eels

Late 90's alternative type band who...ah fuck it can't think of a description really. They make music and its good (except when they play at Oxegen).

'The' or 'Not The':
'Not The'. Album cover evidence aside, the one second ad for the superbowl should be evidence enough.



'The' Verve

Early 90's Brit Rock, turned broke up, turned reformed, late 90's Brit Oasisalikes, turned broken up, turned biggest prick in the world, turned reformed Brit Oasisalikes.

'The' or 'Not The':
'Both'. Started life as just plain and simple Verve, named after the hangover cure. Added the definite article just in time for their last album before they broke up for the first time: A Northern Soul.



Other ones that I thought of but couldn't be bothered with are Wu-Tang Clan, Editors, Manic Street Preachers, Mc5, Kings of Leon, Queens of the Stone Age, Kaiser Chiefs, Deftones, The KLF.

Cases of people adding 'The' when there shouldn't be one are more common than people taking away a 'The' when there should be one. Let me know if you notice any glaring omissions of either case.

continue reading>>

Pro: Smashing Pumpkins are fucking brilliant and Siamese Dream is my favourite album of all time.

Con: Adore is an awful awful album. Machina is better but not by a lot. Zeitgeist is better than both but still nothing compared to their olders stuff.


Pro: Unlike every band in the world, they play for a total of 2 hours and 35 minutes. No. You did not misread that.

Con: The last half hour before the encore consists of extended feedback and wanking sessions.

Pro: With a mighty back catalogue we get treated to Drown, Porcelina of the vast ocean, Lily my one and only, Mayonnaise, Stand Inside your Love, 1979, Perfect, Ava Adore, The Nightmare rides on, Bullet with Butterfly Wings, Tonight Tonight, Try Try Try and then ending with a savage rendition of Cherub Rock. Goosebumps still abound.

Con: The aforementioned half hour of noodling.

Pro: The fact that they played at all (can't think of a pro for the next con)

Con: The venue. The RDS Simmonscourt is a fucking barn. While it might be acceptable to host Funderland there for a rock gig its nothing short of sinful and proof once again that "The Organisers" don't give a fuck about sound quality when they can have their fat little hands stuffed greedily into big wads of cash.

Pro: A bit of a good old mosh to something like Tarantuala or Bullet is just what a young man needs in this day and age.

Con: The security guards prove once more that they have seemingly been recruited by "The Organisers" from prisons, by being more violent than the actual crowd themselves. Somebody should sit these thugs down and give them a lesson in crowd mentality.

Pro: Um..the fact that there is beer.

Con: Horrible piss and overpriced as usual.

So all in all respect to Corgan and co for playing what is one of the longest sets I have ever seen a band play and for throwing out a bunch of classics to boot but no respect whatsoever to "The Organisers" for being a bunch of money-grubbing fucks yet again.

Here's a reminder of just how awesome the Pumpkins were and can still be. Not the best video they ever did but a great song:

continue reading>>

Interesting, considering the 'heavier' direction of Zeitgeist. Available for digital download from January 2nd, apparently.

Click for story

continue reading>>

Looks like I may finally get to see the Pumpkins live, as they've announced a series of European dates in support of 'Zeitgeist' for next spring, including one at Dublin's RDS on February 9th. Now the only obstacle to pass are those damn touting bastards that have a tendency to snatch up all the tickets for any gig there's anything of a demand for.

Here's the European Tour dates in full:


Sun 1/27 - Belgrade, Serbia - Arena
Tue 1/29 - Budapest, Hungary - Arena
Wed 1/30 - Prague, Czech Republic - T-Mobile
Thu 1/31 - Vienna, Austria - Stadthalle
Sat 2/2 - Milan, Italy - Forum
Sun 2/3 - Bologna, Italy - PalaMalaguti
Tue 2/5 - Zurich, Switzerland - Hallenstadion
Wed 2/6 - Paris, France - Bercy
Sat 2/9 - Dublin, Ireland - Royal Dublin Society (RDS)
Sun 2/10 - Belfast, N. Ireland - Kings Hall
Tue 2/12 - Glasgow, Scotland - SECC Hall
Thu 2/14 - Nottingham, England - Nottingham Arena
Tues 2/15 - Manchester, England - MEN Arena
Wed 2/16 - London, England - O2 Arena
Mon 2/18 - Den Bosch, Netherlands - Brabenthalle
Tue 2/19 - Brussels, Belgium - Forest National
Thu 2/21 - Munich, Germany - Olympiahalle
Tue 2/22 - Frankfurt, Germany - Jahrhunderthalle
Wed 2/23 - Berlin, Germany - Arena
Thu 2/24 - Oberhausen, Germany - Koenig-Pilsener Arena
Sat 2/26 - Hamburg, Germany - Colorline Arena
Wed 2/27 - Copenhagen, Denmark - Valbyhallen
Fri 2/29 - Oslo, Norway - Spektrum
Sat 3/1 - Stockholm , Sweden - Hovet
Mon 3/3 - Helsinki, Finland - Ice Hall


The band have coyly hinted on their website that they'll be further pillaging their back catalogue for fan favourites to play on the European Tour. Here's hoping we'll be hearing something from Adore. Like this:

continue reading>>